Mar 102017
 

Lux Mentis, Booksellers specializes in expanding the notion of the printed, constructed, and idea of the book. We have an enormous and diverse spectrum of material, from unusual first editions to carefully executed fine press to wildly esoteric books challenging not only the physical object of a book, but the content within. Our mission revolves around building, confronting, documenting, and supporting the printed, painted, and photographed world around us.  We work with a broad range of clients, from collaborating with institutional libraries and private collectors to build collections to supporting and inspiring young mind’s to collect and/or create books. We believe that at the heart of society, books are the brick and mortar that solidifies our identity making us accountable, responsible, and creative humans. It is our job as booksellers to help support that relationship.

#NYCBOOKFAIR2017 #NYABAA17

With that in mind, we like to represent many critical issues in our book selections, embodied by the work of both past and present creators. This year in New York we will showcase books and manuscripts that emphasize women as creators and feminist discourses. The following will be featured at our booth E5:

Gilman, Charlotte Perkins. The Yellow Wall Paper. Boston: Small, Maynard and Company, 1901. Second Edition. Rubbing to extremities, light shelf/edge wear, inscribed on the ffep, else tight, bright, and unmarred. Internally clean and fresh. Publisher’s yellow decorated glazed paper covered boards titled in a rather bilious orangey red. 12mo. 55pp. Very Good. Hardcover.
Inscribed to front flyleaf by the great lady herself:  “To Mrs. Beatrice Forbes Robertson Swinburne Hale! With Love of Charlotte Perkins Gilman. 1910” One of the greatest and most significant weird tales of the late 19th century, a story “not intended to drive people crazy, but to save people from being driven crazy…” inscribed by its ground-breaking feminist author, to a friend and fellow fighter for woman’s suffrage on the occasion of her marriage. (#9123)        $22,500.00

Charlotte Perkins Gilman, “Yellow Wallpaper” 2e, inscribed by Gilman

Cummins, Maureen; Nicole Cooley [author]. Salem Lessons. High Falls, New York: Maureen Cummins, 2010. Limited Edition. Concertina, or “theatre in the round’ multi-folded artist book. Signed by artist and author. Fine in Fine Archival Box. Hardcover.
“Salem Lessons” was printed and produced by Maureen Cummins in the Winter and Spring of 2010, with typographic assistance from Kathy McMillan. The cycle of poems was created by Cooley specifically for this book; the accompanying images are from a penmanship book kept by a Salem, MA boy, Josiah Peele, during the years 1808 and 1809. The project traces the psychic reverberations of the Salem witch trials upon succeeding generations. It address–as all examinations of the trials do–our own modern time and situation. There are thirteen poems altogether, representing both the accusers and the accused, survivors and the condemned, but focusing on the trials and the treatment of women. — from the colophon and website. (#9247)    $2,500.00

Maureen Cummings – Salem Lessons

Jacobs, Diane. Object n. Object v. Portland, Oregon: Scantron Press, 2016. Limited Edition. Bright and unmarred. Wood and glass custom case with laser cut text, materials include glass, chicken egg shells, plaster, tangerine skin, gold leaf, acrylic balls, antique glass/aluminum slide mounts, India ink on vellum, oil paint, water color, human hair, wood, leather, aluminum combs, ceramic, military dog tags, and molded handmade cotton paper. np. Numbered limited edition of 4. Fine.
“object n., object v. was created to link present day gender inequality to our ancient past. Male control over women’s bodies and women’s sexuality continues around the world, as does the hierarchy of objective beauty. While the ancient Greeks were oppressing and objectifying women, an egalitarian society roamed north of the Black Sea. Legendary warrior women known as Amazons rode horses, practiced archery, fought to defend and conquer, and had sexual freedom. In this artist book I have juxtaposed two parallel worlds through objects and imagery. All the text is derived from two books that paint the picture and tell the story. Helen of Troy: Beauty, Myth, Devastation by Ruby Blondell and The Amazons: Lives & Legends of Warrior Women Across the Ancient World by Adrienne Mayor. When I read that self-reliant warrior women existed in the ancient world I was inspired and I wanted to share that knowledge to rekindle a collective vision of equality.” [artist statement] (#9240)        $10,000.00

Diane Jacobs Object v. Object

 

May 052016
 

The Occult Activism of 1960s Group WITCH is Still Relevant

This article popped up on the feed the other day, and I was reminded about the presence of and representation of witches throughout time, in a society that has pretty much commodified witchcraft into a visual and figurative only culture, i.e. Halloween, rather than a metaphoric one. The W.I.T.C.H. group was collective performance, an agitation and ripple to the world of conventionality. They aligned their ideals through direct actions, mailings, printed matter, and spoken activism. Like many other political aggregates of the time, we are fortunate to have propaganda ephemera validating action and disruption:

W.I.T.C.H. card

W.I.T.C.H. Women’s Liberation [Women’s International Terrorist Conspiracy from Hell], c. 1969, mailing list card [#9011]

“We promise to love, cherish, and groove on each other and on all living things. We promise to smash the alienated family unit. We promise not to obey. We promise this through highs and bummers, in recognition that riches and objects are totally available through socialism or theft (but also that possessing is irrelevant to love)….We pronounce ourselves Free Human Beings.