Jul 242017
 

I have had the great pleasure of working with Gabby Cooksey since she burst forth from North Bennet School and began inflicting her genius upon the world. I had the great pleasure of placing her first binding in Univ. of Virginia’s Special Collections and the greater pleasure of watching her explore, evolve, and expand with each new work. I have said since I saw her first work that she makes design decisions as a new, now young, binder that I would expect from one with decades under her belt… Part of this is to NBS’s credit, but much has to do with Gabby’s profoundly subtle and sophisticated way of looking at her projects and finding elegant solutions at nearly every turn…

It was not long before she branched out and began writing text, creating art, and printing all elements of some projects. Thus we have today’s gem: The Book of Penumbra, of which Gabby writes,

“Death has always fascinated me because it happens to all of us yet no one talks about it. I wanted to see what other cultures personified death as through myths and legends. The gods in this book are very hushed and for some, even if you speak the name, you’ll be cursed. I wanted this book to be shadows, to be played in the light. I chose a delicate paper so one could see through to the page behind it. The text is in all sorts of shapes because I wanted each story to represent the god being told about. For instance, Sedna is in the shape of drowning, Anubis is his eye, Mac is a pit with someone at the bottom. The borders are all plants, roots, and things found on the earth. Some represent death like the poppy, and the yew tree.”

Completed in an edition of 23, bound in wraps, and housed in a box with an inlaid coffin, it is a beautiful bit of work. As she is seldom content with ‘exquisite’, I received a package out of the blue and found a one-off art binding of the book with seven skulls suspended by gold in the cut-through front board (insert above). Always pushing, always expanding…ever brilliant. I am always excited about what she will produce next. Explore the book below…

Jun 012017
 

 

Yes, despite what we complain about, there are things we enjoy about the approaching summer. That includes attending the Rare Books and Manuscripts Section conference in Iowa City! Lux Mentis will be part of the Bookseller showcase this year, along with many other fine booksellers. We are especially excited to feature our selection of book arts and primary source materials in keeping with this year’s theme, “The Stories We Tell.” We are also sponsoring the panel: “MATERIALIA LUMINA: THE CONTEMPORARY BOOK IN ITS HISTORICAL CONTEXT: PHILOSOPHICAL MUSING OF THREE MASTER PRINTERS” featuring Peter Rutledge Koch, Russell Maret, and Gaylord Schanilec.

As a large part of our mission we aim to support especially book arts and book narratives, so we will have a good selection of artist’s books and both pictorial and literary narratives. A few of our latest acquisitions will be featured including works by Ximena Perez GrobetLorena Velázquez, Alexandra Janezic, Maureen Cummins, and Sam Winston. As usual, we will also bring a few challenging and provocative things.

Before the show, we will be attending the Chicago Book & Paper Fair and during the week of RBMS we will also be attending the Solstice Book Fair organized by book artists, Alexandra Janezic and Candida Pagan.

Until then, keep reading, keep collecting! See you in Iowa City!

 

Apr 242017
 

For those who have seen the proto-type for Maureen Cummins’ newest work we were showing in CA and NYC, we are pleased to say that the work is complete and ready. Maureen just forwarded the following prospectus, which summarizes the work quite perfectly:

The/rapist is an investigation into the gendered history of psychosurgery, as illustrated by the career of Doctor Walter Freeman (1895-1972). A Professor of Neurology with no formal training in either surgery or psychology, Freeman popularized the pre-frontal lobotomy, an operation in which nerve connections to and from the frontal lobes—the seat of human emotion, creativity, willpower, and imagination—are severed. A self-styled showman who drove ice picks through his patients’ eye sockets, rode around in a “lobotomobile,” and conducted a 1953 tour dubbed “Operation Ice-Pick,” Freeman freely admitted that his work created a “surgically induced childhood,” with many “failed outcomes.”

It is a history that raises numerous and disturbing questions about patients’ rights, the abuse of institutional power, and the disproportionate targeting of women. Of the 3,500 or more patients that Freeman operated on, twice as many were female, many depressed or suicidal housewives. Even now, electroshock—Freeman’s favored method of anesthesia—is applied to female patients two to three times as often as males.

In the opening pages of the book, Cummins uses the analogy of physical rape to suggest the way in which psychosurgery became a form of violence-against-women (and men) perpetuated in the name of medical progress. The concept is textually and visually reinforced as the reader pages through the book: the title, “The Rapist” morphs into the word, “Therapist?” while a laser-cut hole bores through the book, penetrating silkscreened images of patients’ heads. These headshots, “before-and-after” photographs that Freeman used to document his work, are re-contextualized, with lines of typography mimicking blindfolds, reclaiming for these patients a measure of dignity, humanity, and anonymity. Throughout the book, the artist’s mordant sense of humor is in evidence: The name Freeman transforms into “Free Man,” while found images—everything from advertising cuts of arrows and pointing fingers to reproductions of Freeman’s ice picks—serve as illustrations, providing ironic counters to the subject matter, often—as with the sunburst, moon, and encircling question marks—cleverly incorporating the hole.

Constructed entirely out of aluminum, The/rapist is inspired by the cold, hard surfaces of medical clipboards and equipment, as well as by Freeman’s actual tools, viewed by the artist in the Freeman/Watts collection at GWU, where she conducted her initial research. Pages of the book are laser-cut, burnished on one side, printed with multiple layers of text and imagery, “dimpled” to prevent scratching and wear, then mounted within rings to a sturdy baseboard. The text is printed in Frutiger, a classic mid-century sans-serif typeface. Images reproduced in the book are 19th century engravings, handwritten notes and text, as well as graphs and headshots from Freeman’s 1950 textbook Psychosurgery: In the Treatment of Mental Disorders and Intractable Pain. The book is housed in a burnished aluminum box with a screwed-down aluminum title plate. For exhibition purposes, copies can be propped up vertically, with the backboard acting as a stand, or positioned with the pages fanned out in a pleasing sculptural form.

Detailed images are available upon request. As you may or may not know, the prices for Maureen’s work step when a certain number of sales have been hit. As this is an edition of 40, we encourage you to let us know as soon as reasonably possible should you wish to add it to your collection.

Feb 192017
 

We’re back! [for now]. We want to extend our thanks to everyone in Oakland for a successful book fair, organizers, patrons, and booksellers alike! We packed enough material for two booths and after we attended CODEX, we acquired more excellent material for another. CODEX was a truly inspirational experience, as we were able to seek out some new extremely provocative and important work from book artists, including Maureen Cummings, Diane Jacobs, Ximena Perez Grobet, Lorena Velazquez, Xiaoding Xu, and Xueling Dong.

We managed to organize our booth and showcase our collections, in the Lux Mentis way! Images first, a booth tour video at the end. Fun for all!

 

Feb 012017
 

We will soon follow the sun and be present at the 50th California International Antiquarian Book Fair, Oakland (ABAA), February 10-12th, 2017. Please visit us at Booth #316 and do not hesitate to ask for passes, we have a limited number to give away.

As usual, we will be debuting a number of new and important items, including the work of Sam Winston (see images below), Occult and Esoterica materials, Fine Press and Fine Bindings, and are other eccentric cacophony of fun, including:

  • Anon. Sumatran Batak divination book [pustaha]. Indonesia, Early 20th century. Unique. Twelve (two-sided) panel concertina fold; fastened on handcarved alim (or agarwood) tree-bark original boards; inscribed and drawn on smoothed and pressed alim tree-bark; 4.75 x 39″ (unfolded); illus. Handwritten in red and black ink pigments. Boards stained with natural pigments, in remarkable condition, less one split in bark panel. An exceptional and critical book for Indonesia history and culture. Very Good. Hardcover. (#9148) $1,200.00
  • Cooksey, Gabrielle. The Book of Penumbra [Art Binding]. Tacoma, WA: [Artist Book], 2016. Unique. Tight, bright, and unmarred. Black leather boards with oval cutthrough, 7 carved skulls suspended upon gold wire strung web-like through the opening, marbled endpages. Large 12mo. np [19pp]. Illus. (b/w with gilt plates). Numbered limited edition of 23. Fine in Fine Box. Hardcover. (#9226) $2,250.00
  • Harman, Moses [ed.]; Edward C. Walker, Lillian Harman, Lois Waisbrooker, et al. Lucifer, the Light-Bearer. Chicago, IL: Moses Harman, 1902. First Edition. Some slights tears at folds and edge wear. Three large folio printed broadsides, 8p., 10×13″ Issues: Third series, volume VI, number 7 (February 27, 1902; whole number 906); volume VI, number 12 (April 3, 1902; whole number 911); volume VI, number 23 (June 19, 1902; whole number 922) Very Good. (#9192) $700.00
  • St. James, Margo. 1st Annual Hooker Convention Poster. Margo St. James, 1974. First Printing. Pinholes in corners, small closed tear at one edge with related minor rumple, handful of very pale moisture marks, else bright and clean. Orange paper, blue ink. 23 x 15 Very Good. Poster. (#9183) $750.00
  • [Photography and travel – Great Lakes] Collection of two scrapbook photography and ephemera albums assembled by an American woman traveller and companions, c. 1920s. 1925-1930. Set of two photography albums both secured in original contemporary 1920s tie and knot covers. Each album contains carefully clipped and placed black and white photographs mounted to black craft paper, some captioned by hand in pen. Other materials included are souvenir brochures, chromeolithographic color and black and white postcards, hand-color printed clippings from tourist ephemera and color printed maps with the annotated journey in pencil. Albums contain over 150 black and white silver gelatin
    photographs and approximately 100 pieces of clipped ephemera. Very Good+. (#9186) $650.00
  • Winston, Sam. A Dictionary Story. London: Arc Artist Editions, 2013. Limited Edition. Tight, bright, and unmarred. White cloth boards, black ink lettering, concertina construction; green cloth slipcase. Tall 8vo. np [24pp]. Signed by the artist. Limited numbered edition, this being 63 of 100. Near Fine in Wraps and Fine Sleeve. Original Wraps. (#9224) $1,450.00

We will be showcasing a remarkable collection of ocean liner material and a spectacular inscribed copy (by Charlotte Gilman Perkins) of Yellow Wallpaper.

Ocean Liner cruise ship Archive

 

Charlotte Perkins Gilman, “Yellow Wallpaper” 2e, inscribed by Gilman

The show list for the California International Antiquarian Book Fair can be found here along with our other catalogs. Please note, we do not have miniature books listed in the show list, but WILL HAVE a selection of miniatures available!

Please check the schedule of events and times of show floor opening. A couple of things to note:

  • Exhibit featuring the Special Collection from The Bancroft Library at the University of California, Berkeley. This year’s Book Fair will include a special exhibit from The Bancroft Library at the University of California, Berkeley, which has a long history of collecting the literary fiction of California. In more recent years, that scope has expanded to include mystery and detective fiction, fantasy and science fiction, and western fiction
  • Also, the newly formed ABAA Women’s Initiative invites women and women-identified book and manuscript sellers working in the trade and women and women-identified individuals connected and/or interested in the trade, i.e. librarians, collectors, community members, book artists/binders, to attend a networking reception on Friday, February 10th from 8pm-9pm after the CA Book Fair, at the Oakland City Center, Room 208, Oakland Marriott Hotel. Wine and refreshments will be served. Event invite here: https://www.facebook.com/events/1399736753383558/

If you have any questions about any of the material, do not hesitate to contact us! See you in California!

Dec 122016
 

While it has been easy to be a pessimist at this time of year, especially in lieu of worldly affairs, in spirit of Jolabokaflod in Iceland, we continue to celebrate the book and specifically the art of the book. We are pleased to release another catalogue list at the end of the year: “[Artist [Book] Art]: Exploring the nature of the black arts,” and like the title suggests is a selection of some of our recent book art and fine press titles from various talents representing the medium. Please visit our catalogue list here.

Please remember to mark your calendars as the next two big book fairs are rapidly approaching: the California ABAA Fair will be from Feb. 10-12 and the NYC ABAA Book Fair will follow, March 9-12.  We will be showing at both, do let us know if you need a pass or two (there will be a reminder after the first of the year

Enjoy!

Oct 262016
 

As promised, here is a selection of materials we are bringing to Boston, much of which is recent acquisitions and new items.  Content is arranged by sections: Primary Source [Archive] Collections; Artist’s Books & Fine Press; Science, Technology, and Historical Medicine; Ephemera; and Esoterica. The catalogs, including the previously released OCCULT short list can be found here: Boston preview list(s)

If you would like to contact about any of the items in advance of the fair, please do so: ian@luxmentis.com, kim@luxmentis.com

Otherwise, we will see you on Friday, October 28th, 5:00-9:00pm!  We have passes for the Friday night preview night, if you would like to attend, please get in touch.

Aug 012016
 

If you didn’t catch the catalog releases in June for RBMS, we are listed for July’s latest rare book catalog releases [Scroll down to Lux Mentis]: http://www.abaa.org/blog/post/rare-book-catalogs-July-2016

Show some love to ABAA and the New Antiquarian blog!

The New Antiquarian blog logo

Apr 212016
 

book-of-eli-quote

Part of the experience of a book fair, and not one overly discussed for a reason, are the partnerships and the collaborative aspects of the book trade. You don’t necessarily have to go at this alone. Your comrades have your back (or your spine, [excruciating pun intended]) which plays out when scouting or acquiring other material to add to the overall inventory.  How many times have you heard, “Oh, X, would love/need this!?” If you are willing and able, then serendipity has its moments, in addition to critical partnerships.

It was excellent for me to work along side Brian Cassidy, veteran bookseller and long-time Lux Mentis booth partner; Michael Laird, newly discovered witchcraft buddy; book goddess, Kara Accettola; the adorable and sharp, Jonathan Kearns; and equally as adorable and bright, Simon Beattie. I would also like to recognize, the entire Pirages team [good lord, ya’ll need a drink], Ken Sanders and Travis Low [horns up], Fuchsia Voremberg [hugs], Tom Congalton, and Ashley Wildes. I think Ashley encompasses the entire fair sentiment in one image:

Ashley diffuses the situation with mermaid-like qualities, as Kim wishes Ian to contract mind fleas.

Ashley diffuses the situation with mermaid-like qualities, as Kim wishes Ian to contract mind fleas. [Note: drinks handled with appropriate care] [Addendum from Ian: This image amuses me in so very, very many ways. Adore you both.]

It would be remiss to not recognize some of the book artists and book binders, very important, as representing strong work is a pleasure and a privilege. Both Colin Urbina and Erin Fletcher make overwhelmingly inspiring work, glad to have them in both physical form and function appearing in New York; Michael Kuch, again mind-blowing work; Peter Bogardus; Russell Maret, exceptional new work; Nancy Loeber, representing both fairs [shadow fair]; Christina Amato; Leslie Gerry; Mindy Belloff; María Verónica San Martín; Peter Koch; newly acquired book artist Alexandra Janezic; and of course, the dynamic duo of Marshall Weber and Felice Tebbe at Booklyn. [Do I sound like a broken record or an Oscar speech? geez.]

So, what’s next? Fortunately, we were able to jump over to the “shadow” shows both uptown and across the street to visit both book artists and snap up some “brutally cool” items for down the road to make appearances in iterations of catalog lists forthcoming.  What did strike our fancy this year? A selection of things that caught our eye:

 

Apr 202016
 
The book in its wonderful camel on wheels home #dada

The book in its wonderful camel on wheels home #dada

In honor of the 100th birthday of the emergence of the Dada movement, we are sharing the unique artist book created by Rolf Lock embodying Hugo Ball’s Karawane. In full leather boards, the exquisite hand illustration and lettering was executed on sandpaper…because…it was. It is housed, as one would expect, in an olive wood camel, the book at rest forming its hump…because…it is.

The text of the Ball’s poem, written in 1916, is as follows:

jolifanto bambla o falli bambla
großiga m’pfa habla horem
egiga goramen
higo bloiko russula huju
hollaka hollala
anlogo bung
blago bung blago bung
bosso fataka
ü üü ü
schampa wulla wussa olobo
hej tatta gorem
eschige zunbada
wulubu ssubudu uluwu ssubudu
–umf
kusa gauma
ba–umf

Having given it a good read or two, please enjoy the following, Christian Bök wonderful reading of the poem (I believe, at Penn):

Binding.

Binding.

Arced spread of Karawane showing boards.

Arced spread of Karawane showing boards.

Straight accordion fold shot ...

Straight accordion fold shot …

First three panels

First three panels

Middle three panels

Middle three panels

Last three panels

Last three panels [All photo credit goes to the very talented Mary Pennington]

Finally, our description, for those so inclined:

Ball, Hugo [poet]; Lock, Rolf [artist]. Karawane [The Caravan]. Wonderful unusual book object of calligraphers and graduate designer Rolf Lock. Germany: Rolf Lock, 1916 [nd, circa 1990]. Unique. Bright and unmarred. Full burgundy leather binding with leather inlays and painted elements, textblock on sandpaper, aeg; housed in burl wood camel. 9.5×9.5cm. np. Illus. (hand colored). Signed by the artist. Fine in Fine Art Object. Hardcover.

Accordion fold of sandpaper in a handmade full leather binding by Ingela Dieric (rust-red oasis goatskin leather with polychrome inlay, hand gilding and aeg. The text of Hugo Ball poem in serpentine lines of equal calligraphy the track of a caravan and ornamented with hand-painted motifs desert. Housed in a handmade wooden camel on wheels of burl wood.

“In 1916, Hugo Ball created the Dada Manifesto, making a political statement about his views on the terrible state of society and acknowledging his dislike for philosophies in the past claiming to possess the ultimate Truth. The same year as the Manifesto, in 1916, Ball wrote his poem “Karawane,” which is a poem consisting of nonsensical words. The meaning however resides in its meaninglessness, reflecting the chief principle behind Dadaism.”

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