Apr 242017
 

For those who have seen the proto-type for Maureen Cummins’ newest work we were showing in CA and NYC, we are pleased to say that the work is complete and ready. Maureen just forwarded the following prospectus, which summarizes the work quite perfectly:

The/rapist is an investigation into the gendered history of psychosurgery, as illustrated by the career of Doctor Walter Freeman (1895-1972). A Professor of Neurology with no formal training in either surgery or psychology, Freeman popularized the pre-frontal lobotomy, an operation in which nerve connections to and from the frontal lobes—the seat of human emotion, creativity, willpower, and imagination—are severed. A self-styled showman who drove ice picks through his patients’ eye sockets, rode around in a “lobotomobile,” and conducted a 1953 tour dubbed “Operation Ice-Pick,” Freeman freely admitted that his work created a “surgically induced childhood,” with many “failed outcomes.”

It is a history that raises numerous and disturbing questions about patients’ rights, the abuse of institutional power, and the disproportionate targeting of women. Of the 3,500 or more patients that Freeman operated on, twice as many were female, many depressed or suicidal housewives. Even now, electroshock—Freeman’s favored method of anesthesia—is applied to female patients two to three times as often as males.

In the opening pages of the book, Cummins uses the analogy of physical rape to suggest the way in which psychosurgery became a form of violence-against-women (and men) perpetuated in the name of medical progress. The concept is textually and visually reinforced as the reader pages through the book: the title, “The Rapist” morphs into the word, “Therapist?” while a laser-cut hole bores through the book, penetrating silkscreened images of patients’ heads. These headshots, “before-and-after” photographs that Freeman used to document his work, are re-contextualized, with lines of typography mimicking blindfolds, reclaiming for these patients a measure of dignity, humanity, and anonymity. Throughout the book, the artist’s mordant sense of humor is in evidence: The name Freeman transforms into “Free Man,” while found images—everything from advertising cuts of arrows and pointing fingers to reproductions of Freeman’s ice picks—serve as illustrations, providing ironic counters to the subject matter, often—as with the sunburst, moon, and encircling question marks—cleverly incorporating the hole.

Constructed entirely out of aluminum, The/rapist is inspired by the cold, hard surfaces of medical clipboards and equipment, as well as by Freeman’s actual tools, viewed by the artist in the Freeman/Watts collection at GWU, where she conducted her initial research. Pages of the book are laser-cut, burnished on one side, printed with multiple layers of text and imagery, “dimpled” to prevent scratching and wear, then mounted within rings to a sturdy baseboard. The text is printed in Frutiger, a classic mid-century sans-serif typeface. Images reproduced in the book are 19th century engravings, handwritten notes and text, as well as graphs and headshots from Freeman’s 1950 textbook Psychosurgery: In the Treatment of Mental Disorders and Intractable Pain. The book is housed in a burnished aluminum box with a screwed-down aluminum title plate. For exhibition purposes, copies can be propped up vertically, with the backboard acting as a stand, or positioned with the pages fanned out in a pleasing sculptural form.

Detailed images are available upon request. As you may or may not know, the prices for Maureen’s work step when a certain number of sales have been hit. As this is an edition of 40, we encourage you to let us know as soon as reasonably possible should you wish to add it to your collection.

Mar 292017
 

We want to introduce you to a remarkable new work by Sam Winston and Oliver Jeffers, A Child of Books.

“A little girl sails her raft across a sea of words, arriving at the house of a small boy and calling him away on an adventure. Through forests of fairy tales and across mountains of make-believe, the two travel together on a fantastical journey that unlocks the boy’s imagination. Now a lifetime of magic and adventure lies ahead of him . . . but who will be next? Combining elegant images by Oliver Jeffers and Sam Winston’s typographical landscapes shaped from excerpts of children’s classics and lullabies, A Child of Books is a stunning prose poem on the rewards of reading and sharing stories—an immersive and unforgettable reading experience that readers will want to pass on to others.” [publisher statement]

The book itself is a charming and beautiful tale and can be found here. The true depth and breadth of the work, however, can be found only in the deluxe editions…and is a bit more dear. There were two states of the deluxe edition, one, however, was an edition of nine and all are already gone, so we will ignore it. Interestingly, the other deluxe is an edition of eighty (80!!!)…a number seldom a good idea in deluxe editions and for good reason. This, however, is the exception that defines the rule. Best, it is clearly designed with both the private collector and the special collections library in mind.

This edition comes with three components, all housed in a colander box. First is a signed first edition of the standard book. Then there is the Process Book, designed by Lewis Trevor and Sam Winston with the assistance of Becky Elms. This book provides elements of a ‘making copy’, detailing and exploring the collaborative process Sam and Oliver went through producing the story and images. Stab bound in the Japanese style by Manuel Mazzotti (London), it provides a wonderful view into the evolution of this remarkable story. Finally, this edition comes with 19 archival fine art prints, inkjet printed with pigment ink onto Hahnemühle Fine Art Bamboo Natural White. Signed by both Sam and Oliver, each embodies a full two-page spread of the story, larger and absolutely stunning. For special collections, there is even a ‘teaching guide’ included to help facility academic use.

Each illustration is a blend of Oliver’s whimsical sketches with the ‘textual art’ Sam is so well known for…manipulating text to create image. Here the texts are drawn from classic children’s books, (e.g the huge furry, horned monster threatening a castle is created from text from Frankenstein, Dracula, and The Legend of Sleepy Hollow and then children escape by climbing down a rope made up of prose from Rapunzel). The blend of illustration styles and the tale itself creates a wonderful starting point to explore the nature of art and writing. It is, in brief, one of the very best things we’ve seen in a very long time. Additional information and images are available and can be found here and/or you are welcome to email.

Bonus: There is a lovely interview with Sam and Oliver, for those so inclined.

Feb 262017
 

The New York Antiquarian Book Fair is right around the corner! We have fashioned ourselves into a corner this year, literally. However, as always with amazing new delights to share! The gallery below is just a snippet of our booth in New York, link to our show list will be available next week.

As usual, a consistent selection of books arts, fine press, photography, ‘sex, death, and the devil’, in addition to our fondness for esoterica. We’ll have some ‘normal’ books too.

*If you would like passes to the New York Book Fair, please contact us*

SEE YOU THERE!!! #nyabaa17 #nyabf17

Feb 192017
 

We are starting what we hope/intend will be a regular element of the blog: images and/or video profiling various specific artists books. We debut with Jun Suzuki‘s metal meta masterpiece, In the Beginning. Part of Kaldewey Press’ artist book series (this being Kaldewey 7), it is an elegantly simple piece of work, concealing subtle complexity.

The limited edition of thirty-five is comprised of hinged metal sheets (oxidized) with red ink Japanese characters and the English equivalent in cut-out letters…and one letterpress printed leaf tipped in. It is housed in a slipcase designed ‘spine up’, so that the leave hang free.

The book illustrates the process of the creation of language. The last page includes the first sentence of the earliest known work of Japanese literature. The work is found in a handful of special collections and we have not found another copy in the market in at least a decade.

Feb 012017
 

We will soon follow the sun and be present at the 50th California International Antiquarian Book Fair, Oakland (ABAA), February 10-12th, 2017. Please visit us at Booth #316 and do not hesitate to ask for passes, we have a limited number to give away.

As usual, we will be debuting a number of new and important items, including the work of Sam Winston (see images below), Occult and Esoterica materials, Fine Press and Fine Bindings, and are other eccentric cacophony of fun, including:

  • Anon. Sumatran Batak divination book [pustaha]. Indonesia, Early 20th century. Unique. Twelve (two-sided) panel concertina fold; fastened on handcarved alim (or agarwood) tree-bark original boards; inscribed and drawn on smoothed and pressed alim tree-bark; 4.75 x 39″ (unfolded); illus. Handwritten in red and black ink pigments. Boards stained with natural pigments, in remarkable condition, less one split in bark panel. An exceptional and critical book for Indonesia history and culture. Very Good. Hardcover. (#9148) $1,200.00
  • Cooksey, Gabrielle. The Book of Penumbra [Art Binding]. Tacoma, WA: [Artist Book], 2016. Unique. Tight, bright, and unmarred. Black leather boards with oval cutthrough, 7 carved skulls suspended upon gold wire strung web-like through the opening, marbled endpages. Large 12mo. np [19pp]. Illus. (b/w with gilt plates). Numbered limited edition of 23. Fine in Fine Box. Hardcover. (#9226) $2,250.00
  • Harman, Moses [ed.]; Edward C. Walker, Lillian Harman, Lois Waisbrooker, et al. Lucifer, the Light-Bearer. Chicago, IL: Moses Harman, 1902. First Edition. Some slights tears at folds and edge wear. Three large folio printed broadsides, 8p., 10×13″ Issues: Third series, volume VI, number 7 (February 27, 1902; whole number 906); volume VI, number 12 (April 3, 1902; whole number 911); volume VI, number 23 (June 19, 1902; whole number 922) Very Good. (#9192) $700.00
  • St. James, Margo. 1st Annual Hooker Convention Poster. Margo St. James, 1974. First Printing. Pinholes in corners, small closed tear at one edge with related minor rumple, handful of very pale moisture marks, else bright and clean. Orange paper, blue ink. 23 x 15 Very Good. Poster. (#9183) $750.00
  • [Photography and travel – Great Lakes] Collection of two scrapbook photography and ephemera albums assembled by an American woman traveller and companions, c. 1920s. 1925-1930. Set of two photography albums both secured in original contemporary 1920s tie and knot covers. Each album contains carefully clipped and placed black and white photographs mounted to black craft paper, some captioned by hand in pen. Other materials included are souvenir brochures, chromeolithographic color and black and white postcards, hand-color printed clippings from tourist ephemera and color printed maps with the annotated journey in pencil. Albums contain over 150 black and white silver gelatin
    photographs and approximately 100 pieces of clipped ephemera. Very Good+. (#9186) $650.00
  • Winston, Sam. A Dictionary Story. London: Arc Artist Editions, 2013. Limited Edition. Tight, bright, and unmarred. White cloth boards, black ink lettering, concertina construction; green cloth slipcase. Tall 8vo. np [24pp]. Signed by the artist. Limited numbered edition, this being 63 of 100. Near Fine in Wraps and Fine Sleeve. Original Wraps. (#9224) $1,450.00

We will be showcasing a remarkable collection of ocean liner material and a spectacular inscribed copy (by Charlotte Gilman Perkins) of Yellow Wallpaper.

Ocean Liner cruise ship Archive

 

Charlotte Perkins Gilman, “Yellow Wallpaper” 2e, inscribed by Gilman

The show list for the California International Antiquarian Book Fair can be found here along with our other catalogs. Please note, we do not have miniature books listed in the show list, but WILL HAVE a selection of miniatures available!

Please check the schedule of events and times of show floor opening. A couple of things to note:

  • Exhibit featuring the Special Collection from The Bancroft Library at the University of California, Berkeley. This year’s Book Fair will include a special exhibit from The Bancroft Library at the University of California, Berkeley, which has a long history of collecting the literary fiction of California. In more recent years, that scope has expanded to include mystery and detective fiction, fantasy and science fiction, and western fiction
  • Also, the newly formed ABAA Women’s Initiative invites women and women-identified book and manuscript sellers working in the trade and women and women-identified individuals connected and/or interested in the trade, i.e. librarians, collectors, community members, book artists/binders, to attend a networking reception on Friday, February 10th from 8pm-9pm after the CA Book Fair, at the Oakland City Center, Room 208, Oakland Marriott Hotel. Wine and refreshments will be served. Event invite here: https://www.facebook.com/events/1399736753383558/

If you have any questions about any of the material, do not hesitate to contact us! See you in California!

Dec 122016
 

While it has been easy to be a pessimist at this time of year, especially in lieu of worldly affairs, in spirit of Jolabokaflod in Iceland, we continue to celebrate the book and specifically the art of the book. We are pleased to release another catalogue list at the end of the year: “[Artist [Book] Art]: Exploring the nature of the black arts,” and like the title suggests is a selection of some of our recent book art and fine press titles from various talents representing the medium. Please visit our catalogue list here.

Please remember to mark your calendars as the next two big book fairs are rapidly approaching: the California ABAA Fair will be from Feb. 10-12 and the NYC ABAA Book Fair will follow, March 9-12.  We will be showing at both, do let us know if you need a pass or two (there will be a reminder after the first of the year

Enjoy!

Oct 112016
 

Boston approaches! And it is Halloween, for all you muggles, Samhain, rather.  In lieu of this, Lux Mentis, Booksellers is offering a twee short list of occult, witchcraft, other spiritual beliefs, mythology, and magick-related items for preview [there’s more too].  We will have another more comprehensive list featuring fine press, artist’s books, and new acquisitions shortly.

If you would like to contact about any of the items in advance of the fair, please do so: ian@luxmentis.com, kim@luxmentis.com

See you at the Fair!

boston-40th-international-abaa-book-fair-occult-short-list

Oct 042016
 
What we do is secret

What we do is secret

YABS is really well-timed, so after 3 days of instruction and dialogue, you can put your study to practice at the York National Book Fair. I’ve done a few fairs already, but it’s always something new to see and find.  I helped out Jonathan Kearns this year, but we were able after the initial opening to scout around ourselves.

Jonathan Kearns Rare Books & Curiousities

Jonathan Kearns Rare Books & Curiosities

A special find for me, in my opinion, was a 1810 “family” herbal from Sir John Hill, another one of these folk herbalists who despite their university training, found herbal remedies compelling for the layman.  The text block was re-cased splendidly, with hand-colored illustrations at the end.  Lux Mentis will bring this and many other good finds from York to the Boston International Antiquarian Book Fair 2016 at the end of October! Halloween weekend, in fact! Here are just a few more images of delicious items we found and more to feature in a Boston pre-list soon:

 

Apr 212016
 

book-of-eli-quote

Part of the experience of a book fair, and not one overly discussed for a reason, are the partnerships and the collaborative aspects of the book trade. You don’t necessarily have to go at this alone. Your comrades have your back (or your spine, [excruciating pun intended]) which plays out when scouting or acquiring other material to add to the overall inventory.  How many times have you heard, “Oh, X, would love/need this!?” If you are willing and able, then serendipity has its moments, in addition to critical partnerships.

It was excellent for me to work along side Brian Cassidy, veteran bookseller and long-time Lux Mentis booth partner; Michael Laird, newly discovered witchcraft buddy; book goddess, Kara Accettola; the adorable and sharp, Jonathan Kearns; and equally as adorable and bright, Simon Beattie. I would also like to recognize, the entire Pirages team [good lord, ya’ll need a drink], Ken Sanders and Travis Low [horns up], Fuchsia Voremberg [hugs], Tom Congalton, and Ashley Wildes. I think Ashley encompasses the entire fair sentiment in one image:

Ashley diffuses the situation with mermaid-like qualities, as Kim wishes Ian to contract mind fleas.

Ashley diffuses the situation with mermaid-like qualities, as Kim wishes Ian to contract mind fleas. [Note: drinks handled with appropriate care] [Addendum from Ian: This image amuses me in so very, very many ways. Adore you both.]

It would be remiss to not recognize some of the book artists and book binders, very important, as representing strong work is a pleasure and a privilege. Both Colin Urbina and Erin Fletcher make overwhelmingly inspiring work, glad to have them in both physical form and function appearing in New York; Michael Kuch, again mind-blowing work; Peter Bogardus; Russell Maret, exceptional new work; Nancy Loeber, representing both fairs [shadow fair]; Christina Amato; Leslie Gerry; Mindy Belloff; María Verónica San Martín; Peter Koch; newly acquired book artist Alexandra Janezic; and of course, the dynamic duo of Marshall Weber and Felice Tebbe at Booklyn. [Do I sound like a broken record or an Oscar speech? geez.]

So, what’s next? Fortunately, we were able to jump over to the “shadow” shows both uptown and across the street to visit both book artists and snap up some “brutally cool” items for down the road to make appearances in iterations of catalog lists forthcoming.  What did strike our fancy this year? A selection of things that caught our eye:

 

Apr 202016
 
The book in its wonderful camel on wheels home #dada

The book in its wonderful camel on wheels home #dada

In honor of the 100th birthday of the emergence of the Dada movement, we are sharing the unique artist book created by Rolf Lock embodying Hugo Ball’s Karawane. In full leather boards, the exquisite hand illustration and lettering was executed on sandpaper…because…it was. It is housed, as one would expect, in an olive wood camel, the book at rest forming its hump…because…it is.

The text of the Ball’s poem, written in 1916, is as follows:

jolifanto bambla o falli bambla
großiga m’pfa habla horem
egiga goramen
higo bloiko russula huju
hollaka hollala
anlogo bung
blago bung blago bung
bosso fataka
ü üü ü
schampa wulla wussa olobo
hej tatta gorem
eschige zunbada
wulubu ssubudu uluwu ssubudu
–umf
kusa gauma
ba–umf

Having given it a good read or two, please enjoy the following, Christian Bök wonderful reading of the poem (I believe, at Penn):

Binding.

Binding.

Arced spread of Karawane showing boards.

Arced spread of Karawane showing boards.

Straight accordion fold shot ...

Straight accordion fold shot …

First three panels

First three panels

Middle three panels

Middle three panels

Last three panels

Last three panels [All photo credit goes to the very talented Mary Pennington]

Finally, our description, for those so inclined:

Ball, Hugo [poet]; Lock, Rolf [artist]. Karawane [The Caravan]. Wonderful unusual book object of calligraphers and graduate designer Rolf Lock. Germany: Rolf Lock, 1916 [nd, circa 1990]. Unique. Bright and unmarred. Full burgundy leather binding with leather inlays and painted elements, textblock on sandpaper, aeg; housed in burl wood camel. 9.5×9.5cm. np. Illus. (hand colored). Signed by the artist. Fine in Fine Art Object. Hardcover.

Accordion fold of sandpaper in a handmade full leather binding by Ingela Dieric (rust-red oasis goatskin leather with polychrome inlay, hand gilding and aeg. The text of Hugo Ball poem in serpentine lines of equal calligraphy the track of a caravan and ornamented with hand-painted motifs desert. Housed in a handmade wooden camel on wheels of burl wood.

“In 1916, Hugo Ball created the Dada Manifesto, making a political statement about his views on the terrible state of society and acknowledging his dislike for philosophies in the past claiming to possess the ultimate Truth. The same year as the Manifesto, in 1916, Ball wrote his poem “Karawane,” which is a poem consisting of nonsensical words. The meaning however resides in its meaninglessness, reflecting the chief principle behind Dadaism.”

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