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Jul 182017
 

In November of 1897 the Library began a program of daily readings for the blind in a special “pavilion for the blind” complete with its own library. In 1913 Congress directed the American Printing House for the Blind to begin depositing embossed books in the Library, and in 1931 a separate appropriation was authorized for providing “books for the use of adult blind residents of the United States.” [LC]

This Act was amended in 1934 to include sound recordings (talking books), and expanded again later to include children, music, and ultimately to include anyone with physical limitations that prevent reading regular print. This program is important to me personally, because of what a remarkable effect it had on my grandmother’s life when she, a lifelong avid reader, lost the ability to read to macular degeneration. The program is still thriving…now sending out books to the vision impaired on flash drives.

There were few record players in homes in the early twentieth century, and thus between 1935 and approximately 1942 the cytotec precio produced about 23,000 record players (at a cost of approximately $1.2 million). While funding from the WPA dried up in 1942, the program continued until 1951, when the Foundation stopped producing its own record players because they were now readily available to the general public. It is this period that is particularly interesting for me, as it is the period where critical components of the record players used were produced by the company my in-laws’ owned and operated until their retirement (though this program far predates their ownership).

Between the mid-1940s to the mid 1950s, Bowen and Company produced the guts for several models of the record players that were provided to clients of the Talking Book project. On a recent visit, my FiL said he had something interesting for me and proceeded to hand over a Model 9C record player and a packing case filled not only with albums, but with a remarkable trove of the technical specs and schematics for the machines design and evolution…as well as some supporting material and, interestingly, a copy of a late advert, when the company had been given permission to sell the players to the general public. It is unusual to find one of the early players in any condition…to find one like this (with many extra needles) and records and (amazingly) a pile of the design/evolution documentation pretty much makes my month. Enjoy the huge pile of images to follow [photo credit to Mary Pennington]

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Jul 142017
 

So after a few weeks of decompressing, we are back from RBMS 17 Iowa City! With epic stop overs in Indiana, Chicago, St. Louis, Kansas City, and more! By visiting the dead during the trip, we certainly appreciate our education and places of memories. Much like books, graveyards emulate a sense of memory.  While strolling through the local cemetery in Iowa City, we devised a plan to take the crypt a to it logical bibliophilic conclusion. What if you could shelve yourself much like a book, after walking on this complicated earth, in a familiar setting, housed in a familiar form? Thus, the idea of ‘bibliocrypt’ was born! Picture a crypt that embodies a library shelves…stone bindings on the outside, shelves with book-urns lining the inside. #bibliocrypt

Too morbid? Well, we did engage with the living, many living and breathing archives and libraries, librarians, and archivists doing amazing and engaging things to enrich our conscious world.  RBMS is typically a time of exchange and growth for many in the field. We were there to listen and talk to people in a wildly critical time of scholarship and information exchange.  Unlike most book fairs, this is best time to actually discuss components of library collection development, new modes of material description, and aspects of outreach and engagement.  We did a pretty good job of bringing materials that reflected the over theme of the conference: “The Stories We Tell” from artist’s books, narratives, to strange and odd visual storytelling.  A pared down booth!

In the future weeks, we will be thinking about yes, death, our biblioarcanum and new catalogs and lists coming out.

Our next big show is Boston ABAA, November 10-12, 2017. #biblioarcanum

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