Sep 082018
 

Gabby Cooksey is at it again. Between producing extraordinary bindings and exhibition work, she has managed to (largely) write, print, and ‘illustrate’ a wonderful new book. At once dark and full of bright colors, it is a pleasure

According to the artist, this mouthful of a title is meant to be just that…  A Coleopterist is, of course, one who studies beetles and a swarm is a gathering of beetles. Gabby has “always been interested in these insects so researching them was a joy. The stories I made up are meant to feel true, and you question if you’ve heard of them before or not. This book is meant to feel precious but also rugged; I chose all the materials to withstand a beating like a field guide…”. And yet, her exquisite sense of design and subtle and sophisticated craftsmanship is reflected throughout. 

The book includes seven stories by Gabby and the rest by Edgar Allan Poe, Charles Darwin, Hans Christian Anderson, and Aesop’s Fables. “These tales were told to me through whispered words from around the world and researched extensively through old tomes. I write to you now, my fellow believer in myths and legends, trying to provide the truest rendition of theses stories into your hands. May you find a beetle of your own, and one day, tell me its fanciful story.” [from the author’s preface notes]/ 

There is a wonderful weight to the book and each leaf is lovely and heavy in hand…the book simply has great ‘feel’. “The beetles are crafted out of embossing paper templates and photopolymer plates, stylized with a ball point pen and painted with alcohol ink on aluminum. The pages are Suede-tex paper painted with acrylic and methyl cellulose; the cover is cave paper. Mrs. Eave’s text printed on photopolymer plates. I wrote 7 out of the 12 stories. Letterpress printed at Springtide Press with Jessica Spring in Tacoma, WA. Dedicated to Eli for our childhood of bugs and stories.” [colophon]

Gabby has released this as an edition of 26 copies and we look forward to debuting it at the Boston ABAA book fair in a couple months. The only thing we might look forward to more is to sell out the edition before then… Enjoy the images below and shout if you would like one shipped to you.

 Posted by at 3:38 am
Sep 042017
 

Embroidered silk postcard [SS Arabic]

We’ve a wonderful collection around the golden age of ocean travel as told through menus, programs, and postcards. Built over a period of 3 decades, it covers the period from approximately 1880 to around 1930.

Highlights of the collection and important aspects include:

 

 

  • Original dining menus featuring culinary specialities of the period
  • Passenger lists serving as registers for historical documentation
  • Examples of design and style for advertising of the 19th and early 20th century
  • Documents featuring the description of innovations in transportation of the 19th and early 20th century [image gallery below]

    Embroidered silk postcard [RMS Lusitania]

Archive Encompassing the Golden Age of the Great Ocean Liners. [circa 1880-1930]. Approximately 850 items of ephemera from the golden age of ocean liner travel; including a cloth ticket wallet, numerous menus and passenger list cards from a wide variety of ships and routes, a souvenir handkerchief, deck plans, agent’s timetables etc. All in very good or better condition, minor edgewear to some of the more fragile pieces, essentially forty years or more of historical material, spanning the closing years of the 19th century and two world wars. Very Good to Near Fine.

The history of ocean liners is the history of western prosperity, the lure of emigration and the race for technology to catch up with both. The roots of passenger liners are based in 1818, when the Black Ball shipping line of New York started offering a regularly scheduled passenger service across the Atlantic and realised very swiftly that ticket prices could be increased in accordance with the level of comfort they were capable of offering. Previously buying a transatlantic ticket had relegated the hardy traveller to the same status as whatever other cargo the ship was carrying, indeed often slightly lower status; livestock and produce needed to be carefully nursed through the often perilous journeys, passengers were largely expected to fend for themselves.

The proliferation of steamships after the 1830’s, larger, faster creatures altogether; sometimes able to make the enormous journey in a little over two weeks, led to new and creative methods of utilising space and maximising profit. History changed on July 4th, 1840 when the very first ship to bear the legendary Cunard name, “The Britannia” left Liverpool on a ground (or perhaps sea) breaking 14 day journey to New York. It was for the times the very height of luxury, it travelled with a live Jersey cow on board, and chickens, to provide the passengers with fresh milk and eggs.

The advent of the tourist based pleasure cruise didn’t really take off until the 1860’s and the first cruise voyage to originate in America carried none other than Mark Twain, who characteristically immortalised the experience in “The Innocents Abroad.” By the 1880’s, a decade before the earliest items in this collection, the ocean cruise industry was in full swing; doctors regularly advised sea air and ocean voyages for the improved health of their patients, and the allure of foreign continents was proving irresistible to many as companies started offering “steerage” tickets as a very rough and ready way for the huddled masses to make their way to new opportunity.

The final years of the 19th century saw the advent of the first super liners, Germany initially led the field in creating enormous, painfully luxurious vessels that were effectively the floating luxury hotels we have come to expect today. Able to forge through any weather without hardly spilling a first class passengers cocktail, they became the preferred mode of travel for the super rich; reaching their zenith with the Cunard Line’s floating masterpieces “The Mauritania” and “The Lusitania”, the ships that required their passengers to dress for dinner and offered the romance of fine dining rooms where dinner suited elegance and mouth watering menus were accompanied by string quartets, whilst immaculately turned out stewards glided around supplying every need.

This particular collection contains representative ephemera from the largest and most luxurious lines of the period, and some of their flagship vessels, the one notable exception being, of course, The RMS Titanic, firstly because it should be remembered, Hollywood notwithstanding, that it failed, through little fault of its own, to do what transatlantic liners are supposed to do and secondly because all Titanic material is by definition mementos mori and therefore exists rather beyond its socio-industrial context…drifting more into the sargasso of legend. In the manner of such things however, the phantom of the Titanic is unavoidable and present here are pieces of material related to ships who in any number of ways were influenced and overshadowed by their relationship to the largest and most evocative maritime disaster of the time.

The period covered by this material (1896-probably the 1940’s in the case of a couple of deckplans) encompasses the successes, failures and tragedies of the largest passenger shipping lines in the world; Cunard, White Star, Norddeutscher Lloyd Bremen, the Hamburg Amerika Line (notwithstanding the blanket ownership of J P Morgan’s “IMM” after the early 1900’s) and a number of others. It was a period of fierce competition in the arenas of sheer size and speed, and the degree of luxury which could be attained. Norddeutscher Lloyd’s “Kaiser Wilhelm der Grosse” was built to rival Cunard’s “Campania” and “Lucania”; White Star’s “Oceanic” was put into play to combat “Kaiser Wilhelm” and so on. It was a period of fierce continental competition; at times the fabled prizes rested with the German lines, at others with the British Cunard liners and eventually the laurels passed to the American lines as more and more US ingenuity and drive was brought to bear on what was essentially the “space race” of the era. The mighty giants of the period; Mauretania, Deutschland, Lusitania, Olympia, Normandie have passed into the mists of ocean going myth, all of them are represented here; in fact, in the case of many of these pieces, this collection will represent their sole representation anywhere. Hardly any of the items in the collection were intended to last longer than the duration of a single voyage and their survival within this archive offers a unique record of the Golden Age of ocean travel. Similarly, outside of the realm of international business rivalry, shadowy political preoccupations began to affect the industry, with the British Admiralty quickly cottoning on to the concept that every ocean liner was a potential warship and subsidised lines like Cunard to build ships like “Lucania” and “Campania” in such a way that would make them swiftly convertible to battle stations in time of war. These two ships alone at that time had the largest triple expansion engines ever built, signifying the summit of achievement in that realm of technology until the inception of the turbine engine.

This archive represents a porthole into a period of unprecedented elegance, prosperity and innovation. Comprising of a tremendous number of items (we believe this to be one of the largest collections of material to come to market for a very long time), spanning a breadth of periods, lines and purposes; from beautifully chromo-lithographed menu cards to deck plans and passenger lists, souvenir programmes, handkerchiefs and fans, ticket wallets and books of postcards; an enormous and attractive collection of postcard ands promotional material spanning not only most of the world but most of the world’s significant shipping lines and a treasure trove of other ephemera and memorabilia.

The collection contains, as an example and in no particular order:

~Hamburg-Amerika Line: “SS Reliance”, illustrated menu card for farewell dinner, September 1928

~Norddeutscher Lloyd Bremen: “Friedrich der Grosse”, illustrated menu card, October 1900

~N.Y.K. Line (Nippon Yusen Kaisha): “SS Kashima Maru”, souvenir passenger list, February 1934

~Norddeutscher Lloyd Bremen: “SS Berlin”, 3 illustrated menu cards from April 1931 Norddeutscher Lloyd Bremen: “SS Bremen” illustrated gatefold menu, June 1937

~United States Lines: “George Washington”, Illustrated Passenger List, New York to Bremen, October 1924

~Nederlandische-Amerikanische: “SS Maasdam”, Illustrated Passenger List, Rotterdam to New York, July 1894

~Hamburg-Amerika Line: “Deutschland” Illustrated Passenger List, July 1901

~Hamburg-Amerika Line: “Moltke”, Illustrated Passenger List, July 1903

~Norddeutscher-Lloyd Bremen: Passenger voyage timetable for sailings to North and South America, The Far East and Australia June 1929

~Red Star Line: “SS Pennland” Decorative souvenir programme for the Grand Concert, July 1927

~Pacific Mail Steamship Co.: “PMSS Manchuria” Illustrated Passenger List, Yokohama to San Francisco May 1912

~Compagnie Generale Transatlantique: “La Lorraine” Illustrated Passenger List, New York to Le Havre, August 1919

~N.S. Gemeinschaft “Kraft Durch Freude” (KdF) promotional brochure advertising National Socialist excursions from Hamburg. 1930’s.

~Hamburg-Amerika Line [HAL]: Calendar of “Pleasure and Relaxation Cruises” October 1905 to June 1906

~American Line: “St. Paul” Illustrated Passenger List, Southampton to New York August 1929

~White Star Line: “SS Majestic”, Illustrated Passenger List, New York to Cherbourg, April 1931

~Hamburg-Sudamerikanische Line: “Monte Sarmiento”, Illustrated Menu/Postcard, July 1927

~Inman Line [I&I Steamship Co.]: “City of Chicago” Illustrated Passenger List, Liverpool to New York, April 1889 (with ink annotations by a passenger).

~Norddeutscher Lloyd Bremen [NDLB]: “SS Bremen” Elaborate menu card with silk ties, August 1933

~P&O and British India Steam Navigation Co.: “P&O Cruiser Ranchi”, Illustrated Passenger List, Mediterranean, August 1926

~NDLB: “SS Bremen”, elaborate menu card for Brahms’ birthday dinner August 1933 NDLB: “SS Bremen” illustrated wine menu, April 1929

~H.A.L.: “Kronprinzessen Cecille” Illustrated Passenger List, Hamburg to Mexico 1911

~H.A.L.: “President Grant” Illustrated Passenger List, July 1912

~NDLB: “SS Bremen” Illustrated Kosher menu card for March 1934 (!)

~H.A.L.: “Albert Ballin” Illustrated Passenger List, Hamburg to New York, July 1926

~NDLB: “Kaiser Wilhelm” Illustrated menu card August 1903

~H.A.L.: “Pennsylvania” Illustrated Passenger List, Hamburg to New York November 1905

~Cunard Steamship Company: “RMS Campania” Illustrated Passenger List, New York to Liverpool July 1906 [also listed on timetable; Saxonia, Lucania and Carpathia]

~Cunard Steamship Co.: “RMS Campania” Illustrated Passenger List. Liverpool to New York August 1900

~Cunard Steamship Co.: “RMS Saxonia” Illustrated Passenger List, Boston to Liverpool 1903

~NDLB: Guidebook to Munich, card wraps, English text, given free aboard ship and containing an interesting potted history of the NDLB and its manifold successes.

~NDLB: Cloth ticket/travel document wallet, beige and purple, 1930’s, excellent condition. H.A.L.: A selection of on ship purchased postcards in original paper chemises.

~Royal Mail Steam Packet Co.: “RMSP Aragon” Illustrated Passenger List, Southampton to Buenos Aires, February 1911

~NDLB: “SS Berlin” embroidered souvenir handkerchief depicting the liner at full steam. NDLB: “Grosser Kurfurst” Illustrated menu card, (some loss to upper edges), March 1904.

~Pacific Mail Steamship Co. “SS Manchuria” Illustrated Passenger List, San Francisco-Far East Circuit, March 1912. Heavily annotated by passenger.

~NDLB: “Friedrich der Grosse” Illustrated menu cards, July 4th 1911, July 5th 1911 NDLB: “Kronprinz Wilhelm” Illustrated menu card, July 1903

~NDLB: “Grosser Kurfurst” Illustrated menu card, September 1901

~Cie. Gle. Transatlantique: “La Provence” Illustrated menu card, beautiful art nouveau design, August 1910

~NS Gemeinschaft “Kraft durch Freude”: “Oceana” Illustrated itinerary card with exhortation from the Nazi party “We wish you a happy homecoming, Heil Hitler!” Italian voyage January 1938

~NDLB: Luggage label with string for a stateroom on the “Adolf Vinnen” in the name of Mr. and Mrs. Meyer of New Jersey. Hamburg-New York 1912

~H.A.L.: “SS Graf Waldersee” Illustrated Passenger List. New York to Hamburg July 1902 H.A.L.: “SS Normannia” Illustrated Passenger List, New York to Hamburg September 1894

~Great White Fleet: “SS Heredia” Caribbean Cruise of Gulf Park College leaving New Orleans March 1928, elaborate illustrated menu card.

~Tokyo Kisen Kaisha: Illustrated Information Brochure circa 1917

~H.A.L.: “Albert Ballin” Illustrated and elaborate bell shaped multi leaved menu and concert programme August 1935

~RMS Titanic: 2 commemorative cards (1987 and 1991) sent at sea from the resting place of the great liner; stamped with all vessels present and the sigil of ~Woods Hole Oceanographic Institute with hand written co-ordinates of the wreck site and the details of the Russian Research Vessel “Akademyk Keldysh” which carried the Mir I and Mir II submersibles.

~H.A.L.: “Graf Waldersee” Illustrated menu card, August 1900 H.A.L.: “Pennsylvania” Illustrated menu card, February 1901

~H.A.L.: A group of four further Illustrated menu cards from the “Pennsylvania” during a voyage in January-February 1901

~Cie Gle Transatlantique: Large format photograph of the liner “SS Normandie” under construction noting that the vessel was 1020” feet long. In 1935 the ~“Normandie” was the largest and fastest passenger vessel on the seas. She is still cited as being the most powerful steam turbo-electric powered ship ever built.

~Nippon Yusen Kaisha: “SS Fushimi Maru” Illustrated menu card, May 1915

~Nippon Yusen Kaisha: “SS Awa Maru” Illustrated menu card, May 1915

~Nippon Yusen Kaisha:”SS Tenyo Maru” Illustrated menu card, September 1916

~NDLB: A selection of decorative menu cards in card chemise for a voyage by the “SS Berlin”

~Various: A selection of folding souvenir deck plans for ships in the Red Star, Cie Gle Transatlantique and United States Lines.

~NDLB: Beautiful illustrated menu card “SS Columbus”, April 1925. At that time the “Columbus” was the flagship of NDLB and was notable for being almost permanently on hire to Thomas Cook and for being the first liner to have its own swimming pool on deck.

~NDLB: “SS Koln” Illustrated Passenger List, November 1902, Bremen-Galveston

~NDLB: “SS Amerika” Illustrated Passenger List, July 1906

~NDLB: “SS Havel” Illustrated Passenger List, New York to Bremen, November 1894

~Cie Gle Transatlantique: “MS Lafayette” Illustrated Passenger List, Le Havre to New York September 1937

~Cie Gle Transatlantique: “MS Ile De France” Illustrated Passenger List, Le havre to new York, September 1937. The Ile de France was the first refrigerated ocean liner and was thus the first vessel to bring fresh French Brie to America.

~Cie Gle Transatlantique: A selection of 6 Illustrated Cruise Itineraries from the “SS Normandie” [1930’s]

~Cunard Line: Notepaper from “Mauretania”, “Queen Mary” and “Queen Elizabeth” Cie Gle Transatlantique: Single sheet not on “Normandie” notepaper

NDLB: “SS Columbus” Illustrated Menu Cards, July 1937 [2]

~Cunard White Star: “RMS Laconia” Illustrated menu card, June 1937. The “Laconia” was, like it’s previous namesake in WW1, sunk by a submarine in World War 2 on September 12th 1942. The aftermath of the sinking, during which over 1600 people died, became known as “The Laconia Incident.” Kapitanleutnant Werner Hartenstein of the U-156 surfaced after the sinking in order to pick up survivors when he became aware that non-combatants were on board, he requested assistance from U Boat High Command in Germany and several U Boats entered the area flying red cross flags and signalling that a rescue operation was under way. The U-Boat convoy, fore-decks laden with survivors, lifeboats in tow and still flying Red Cross flags headed towards a neutral exchange point. Unfortunately, a US B-24 Liberator, despite the resistance of it’s crew and the frantic radio signals of Hartenstein was ordered to attack the U-Boats. The U-Boats were forced to dive and abandon the survivors, some of whom were later picked up by Vichy French naval ships. Admiral Donitz, as a direct result of the Laconia Incident rescinded any previous directions to do with rescuing survivors of enemy ships. Hartenstein and his crew were killed a few months later.

NDLB: “SS Europa” 3rd Class Illustrated menu card June 1931. Very striking. Cunard Line: Atlantic Interlude, cruise brochure 1930’s

~Cunard Line: “RMS Aquitania” card booklet from the 1920’s. Aquitania was the last four-funnel steamer, and noted as being one of the most beautiful ships afloat, and was the longest serving commercial ocean liner at the time of her retirement in 1950

~Cie Gle Transatlantique: “La Provence” fold out cutaway diagram of the liner in card wraps showing many of the joyous luxuries available on board.

~H.A.L.: Brochure for first class travel on the line, 1930’s

~H.A.L. Winter Service Timetable 1896-1897 advertising voyages on the “August Victoria”, “Columbia”, “Normannia” and “Furst Bismarck”

~Raymond Whitcomb Cruises: advertising taking the “Normandie to Rio” 1939

~Tokyo Kisen Kaishu: “SS Kitano Maru” Illustrated menu card, december 1936 (some underlining by passenger)

~T.K.K.: “Kitano Maru” Illustrated menu card for farewell dinner February 1937 autographed by passengers.

~T.K.K.: 2 Blank illustrated menu cards with Kabuki and Samurai designs from the TKK 1930’s design blueprint.

~T.K.K.: “Miyazaki Maru” Illustrated menu card, march 1916. 

o

Apr 132017
 

One of the things we picked up recently was a wonderful copy of the 1791 engraving of William Camden’s The Funeral Procession of Queen Elizabeth. In an early leather folder/binding (remnant of a label is dated 1891), the accordion folded print is twenty-nine feet (29 FEET!) long. Kim is currently working on a detailed description, but in the meantime, here is a taste and images of the entire work:

Spectacular hand-colored panorama of the funeral procession of Queen Elizabeth I in April 1603, reproducing drawings in the British Museum ascribed to Elizabeth’s biographer William Camden, who appeared in the procession in his official role as Clarenceaux King of Arms. Other mourners of note include Robert Cecil, Thomas Egerton, and Walter Raleigh. At the time of her death, most Englishmen had known no monarch but Elizabeth, as the elaborate formal procession detailed here was swelled by thousands of Londoners.

This engraved copy of Camden’s original drawings was produced in 1791 for the Society of Antiquaries, appearing in the third volume of Vetusta Monumenta. This copy nearly entirely colored in an early hand…with an evolving use of color as ‘importance’ increased. Left uncolored, strikingly, is the effigy of the queen mounted upon her coffin, a likeness so startling that the London crowd gasped to see it. It is presumed it was left uncolored to reflect the virtue of the Virgin Queen. The was the first we’ve seen intact in a very long time.   [Click and scroll through lovely big images]

 Posted by at 11:16 pm
Feb 012017
 

We will soon follow the sun and be present at the 50th California International Antiquarian Book Fair, Oakland (ABAA), February 10-12th, 2017. Please visit us at Booth #316 and do not hesitate to ask for passes, we have a limited number to give away.

As usual, we will be debuting a number of new and important items, including the work of Sam Winston (see images below), Occult and Esoterica materials, Fine Press and Fine Bindings, and are other eccentric cacophony of fun, including:

  • Anon. Sumatran Batak divination book [pustaha]. Indonesia, Early 20th century. Unique. Twelve (two-sided) panel concertina fold; fastened on handcarved alim (or agarwood) tree-bark original boards; inscribed and drawn on smoothed and pressed alim tree-bark; 4.75 x 39″ (unfolded); illus. Handwritten in red and black ink pigments. Boards stained with natural pigments, in remarkable condition, less one split in bark panel. An exceptional and critical book for Indonesia history and culture. Very Good. Hardcover. (#9148) $1,200.00
  • Cooksey, Gabrielle. The Book of Penumbra [Art Binding]. Tacoma, WA: [Artist Book], 2016. Unique. Tight, bright, and unmarred. Black leather boards with oval cutthrough, 7 carved skulls suspended upon gold wire strung web-like through the opening, marbled endpages. Large 12mo. np [19pp]. Illus. (b/w with gilt plates). Numbered limited edition of 23. Fine in Fine Box. Hardcover. (#9226) $2,250.00
  • Harman, Moses [ed.]; Edward C. Walker, Lillian Harman, Lois Waisbrooker, et al. Lucifer, the Light-Bearer. Chicago, IL: Moses Harman, 1902. First Edition. Some slights tears at folds and edge wear. Three large folio printed broadsides, 8p., 10×13″ Issues: Third series, volume VI, number 7 (February 27, 1902; whole number 906); volume VI, number 12 (April 3, 1902; whole number 911); volume VI, number 23 (June 19, 1902; whole number 922) Very Good. (#9192) $700.00
  • St. James, Margo. 1st Annual Hooker Convention Poster. Margo St. James, 1974. First Printing. Pinholes in corners, small closed tear at one edge with related minor rumple, handful of very pale moisture marks, else bright and clean. Orange paper, blue ink. 23 x 15 Very Good. Poster. (#9183) $750.00
  • [Photography and travel – Great Lakes] Collection of two scrapbook photography and ephemera albums assembled by an American woman traveller and companions, c. 1920s. 1925-1930. Set of two photography albums both secured in original contemporary 1920s tie and knot covers. Each album contains carefully clipped and placed black and white photographs mounted to black craft paper, some captioned by hand in pen. Other materials included are souvenir brochures, chromeolithographic color and black and white postcards, hand-color printed clippings from tourist ephemera and color printed maps with the annotated journey in pencil. Albums contain over 150 black and white silver gelatin
    photographs and approximately 100 pieces of clipped ephemera. Very Good+. (#9186) $650.00
  • Winston, Sam. A Dictionary Story. London: Arc Artist Editions, 2013. Limited Edition. Tight, bright, and unmarred. White cloth boards, black ink lettering, concertina construction; green cloth slipcase. Tall 8vo. np [24pp]. Signed by the artist. Limited numbered edition, this being 63 of 100. Near Fine in Wraps and Fine Sleeve. Original Wraps. (#9224) $1,450.00

We will be showcasing a remarkable collection of ocean liner material and a spectacular inscribed copy (by Charlotte Gilman Perkins) of Yellow Wallpaper.

Ocean Liner cruise ship Archive

 

Charlotte Perkins Gilman, “Yellow Wallpaper” 2e, inscribed by Gilman

The show list for the California International Antiquarian Book Fair can be found here along with our other catalogs. Please note, we do not have miniature books listed in the show list, but WILL HAVE a selection of miniatures available!

Please check the schedule of events and times of show floor opening. A couple of things to note:

  • Exhibit featuring the Special Collection from The Bancroft Library at the University of California, Berkeley. This year’s Book Fair will include a special exhibit from The Bancroft Library at the University of California, Berkeley, which has a long history of collecting the literary fiction of California. In more recent years, that scope has expanded to include mystery and detective fiction, fantasy and science fiction, and western fiction
  • Also, the newly formed ABAA Women’s Initiative invites women and women-identified book and manuscript sellers working in the trade and women and women-identified individuals connected and/or interested in the trade, i.e. librarians, collectors, community members, book artists/binders, to attend a networking reception on Friday, February 10th from 8pm-9pm after the CA Book Fair, at the Oakland City Center, Room 208, Oakland Marriott Hotel. Wine and refreshments will be served. Event invite here: https://www.facebook.com/events/1399736753383558/

If you have any questions about any of the material, do not hesitate to contact us! See you in California!

Jul 082016
 

Many individual people in the book trade have expressed their thoughts and anger about the deaths of people of color (and others) over the last few hours, days, nights, years. Yes, how long? Decades long. While words will almost never substitute actions (which is critical NOW), as a unit, as Lux Mentis, we are expressing our words against neutrality and silence on the issue of obvious oppression and racism against black communities by the police, the justice system, and for that matter, the law makers of the United States. What we do in the trade is important to facilitate knowledge, liberties, and freedom of information, we also have the ability to deconstruct these systems that oppress people that clearly do not have the privilege or the position right now to do so because of their race. We take a position because it is critical and encourage others in the book community to speak out and demand to dismantle this inhuman brutality immediately. Too many guns. Too many deaths. It must stop.

Speaking out is a first step, but here are many tangible ways to start the motion:

From Black Girl Dangerous blog:

We Can Help Each Other Cope: One Simple Way to Be With Each Other Through Pain Right Now

from Ravishly blog, “What You Can Do Right Now About Police Brutality.”
http://www.ravishly.com/2015/04/10/what-you-can-do-right-now-about-police-brutality

Serious and outraged,
Lux Mentis, Booksellers

 Posted by at 8:59 pm
Apr 042016
 

Well, I had intended to get this blog active and engaging again…but the host decided to push the issue by deleting the entire existing blog (deleting a decade of posts). I had some backed up…and will be manually restoring a selection of them. I will also customize this theme again so it ‘fits’…but not until the NYC ABAA fair is over. Reasonably frustrated…but a fresh start is a fresh start. I hope you enjoy the new iteration (and welcome Kim Schwenk who will be doing some posting).

 Posted by at 10:05 pm
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